Body-Based Psychotherapy in Brighton: How Movement, Sensation and Talking Can Work Together

An introduction to body-based psychotherapy in Brighton: how movement, sensation and talking can work together when words alone feel limited.

Sabine

9/29/20268 min read

yellow and brown wooden houses on gray sand during daytime
yellow and brown wooden houses on gray sand during daytime

What is body-based psychotherapy in Brighton, and how can movement, sensation and talking work together in therapy? Body-based psychotherapy brings attention not only to what we think and say, but also to how our experiences are lived in the body. Within this wider field, Dance Movement Psychotherapy offers a specific psychotherapeutic approach in which movement, bodily awareness and the relationship between therapist and client become part of the therapeutic process. For me, it is not about replacing words with movement, but about allowing words and embodied experience to inform one another.

What does body-based psychotherapy mean?

Psychotherapy has traditionally placed a great deal of emphasis on language. We talk about our experiences, make sense of them, connect past and present, and try to understand patterns in our relationships and our lives.

This can be deeply valuable. And yet, sometimes words do not quite reach what is happening.

You may notice your shoulders tightening while talking about something difficult. You may suddenly become very still when a particular subject comes up. You may know intellectually that you are safe, while another part of you remains guarded. Or you may find yourself saying, “I don't know why I feel like this.”

These bodily experiences are not necessarily separate from the psychological process. They can be another way in which our experience communicates itself.

Body-based psychotherapy is an umbrella term that can describe different therapeutic approaches which give attention to bodily experience alongside thoughts, emotions, relationships and meaning. There is no single body-based method, and different approaches have different theories, techniques and professional training.

This is important because body-based psychotherapy, body psychotherapy and Dance Movement Psychotherapy are related, but they are not simply different names for the same thing.

What is Dance Movement Psychotherapy?

Dance Movement Psychotherapy (DMP) is a form of psychotherapy in which movement and dance are used within a therapeutic relationship to support psychological and emotional exploration.

In the UK, it is a recognised professional discipline with its own professional body, training routes and standards. The Association for Dance Movement Psychotherapy UK describes DMP as a psychotherapeutic use of movement and dance through which emotional, cognitive, physical and social aspects of experience can be explored and integrated.

The word dance can sometimes make people imagine choreography, performance or having to be a “good dancer”. This is not what DMP requires.

There is no particular dance ability needed. Movement might be very small: a change in posture, a gesture, a shift of weight, a change in breathing, walking through the room, or simply noticing an impulse to move and deciding whether to follow it.

Sometimes there may be more expansive movement. Sometimes there may be almost none.

What matters is not how the movement looks.

What matters is what the movement might tell us about the person's experience.

Research and professional writing on DMP also emphasise elements that are particularly specific to the discipline, including movement observation and analysis, creativity, play, synchrony and the therapeutic potential of movement within relationship.

For me, this is one of the most important distinctions: movement in DMP is not an activity added to therapy for its own sake. It is part of the way we listen.

red tulip flower in yellow tulip field that explaing how dance movement psychotherapy is different
red tulip flower in yellow tulip field that explaing how dance movement psychotherapy is different

How is Dance Movement Psychotherapy different from body psychotherapy?

There is considerable overlap between Dance Movement Psychotherapy and body psychotherapy. Both recognise that psychological experience is also embodied, and both may attend to things such as sensation, posture, breathing, movement and non-verbal communication.

But they developed from different professional and theoretical traditions.

Body psychotherapy has a history within body-oriented psychological approaches and may work directly with bodily processes such as muscular tension, breathing, posture, sensation and, depending on the modality, touch.

Dance Movement Psychotherapy developed from the meeting of dance, movement, psychology and psychotherapy. Movement itself is central to the therapeutic process, together with creativity, symbolic expression, relational movement and the observation of how people move.

A comparative European review by Payne, Warnecke, Karkou and Westland (2016) describes body psychotherapy and DMP as distinct fields with their own theoretical foundations and clinical methodologies, while also identifying significant areas of overlap.

I find this distinction useful because it prevents us from putting every therapy that involves the body into one large category.

The body can enter psychotherapy in many different ways.

In DMP, movement is one of the primary languages through which experience can be explored.

This is another common point of confusion.

5Rhythms is a movement and dance meditation practice developed by Gabrielle Roth. It explores five movement rhythms — Flowing, Staccato, Chaos, Lyrical and Stillness — and is practised in group and other movement settings.

People may experience powerful emotions, insights, connection and a sense of personal meaning through 5Rhythms. Research into conscious dance practices has also explored participants' reported experiences of wellbeing, presence and flow.

But 5Rhythms and Dance Movement Psychotherapy have different purposes and frameworks.

A 5Rhythms practice is not, in itself, a psychotherapy session. A therapist might also be trained in or facilitate 5Rhythms, but that does not make the two disciplines interchangeable.

For me, the distinction comes back to context and intention.

In psychotherapy, movement is explored in relation to the person's story, psychological development and therapeutic relationship. The therapist is listening not only to the movement itself, but to what is happening between us.

dance movement psychotherapy is different from 5 rhythms
dance movement psychotherapy is different from 5 rhythms
Is Dance Movement Psychotherapy the same as 5 Rhythms?
Is Dance Movement Psychotherapy the same as dance therapy?

This is partly a question of terminology.

“Dance therapy” is sometimes used as a shortened or more accessible term for Dance Movement Psychotherapy. In professional contexts, however, Dance Movement Psychotherapy or Dance Movement Therapy is more precise.

There is also a difference between psychotherapy that uses dance and movement and activities that use dance for wellbeing, expression, creativity or personal development.

These practices can be valuable in their own right. But participating in a dance class, a movement workshop or a dance-based wellbeing practice does not automatically make the experience psychotherapy.

Psychotherapy involves a therapeutic relationship, a psychological framework, professional training and responsibility for the clinical process.

That distinction matters.

DMP is not about using dance because dancing feels good. It is about what movement can reveal, communicate and make possible within psychotherapy.

What does movement add to talking therapy?

I don't see movement as an alternative to talking therapy.

In fact, I am interested in what becomes possible when the two are allowed to meet.

There are experiences that we can describe beautifully with words. There are others that we understand only partially until we notice what happens in our bodies.

Imagine talking about a relationship in which you have always felt that you had to please the other person.

You might say, “I find it difficult to say no.”

That is already meaningful.

But perhaps, as you say it, your shoulders move slightly forward. Your voice becomes quieter. Your hands become still. You notice that your body has moved into a familiar position before you have consciously thought about it.

The movement does not give us a magical answer.

But it may give us another piece of information.

We can become curious about it.

What does this posture feel like?

Is it familiar?

What happens if you make a small change?

What would it be like to take up a little more space?

What happens between us when you do?

The talking remains important. The movement simply gives us another doorway into the conversation.

What does embodied listening mean in psychotherapy?

This is at the heart of my work.

Embodied listening means paying attention not only to what is being said, but also to how experience is being lived and communicated through the body.

This includes the client's movement, posture, rhythm, gestures and changes in bodily experience. It also includes my own embodied responses as a therapist.

Our bodies are constantly participating in relationship, often before we have found words for what is happening.

This does not mean assuming that every movement has a fixed psychological meaning. A crossed arm does not automatically mean resistance; a change in breathing does not automatically mean anxiety.

Instead, I approach bodily experience with curiosity.

I notice this. I wonder what is happening here.

That attitude is important because the body is not a code that the therapist deciphers. It belongs to the person experiencing it.

This is also why I don't think body-based work should be imposed on someone.

Movement can be invited, explored and declined. There is no performance and no “right” way to move.

What happens when Transactional Analysis meets the body?

My own work has developed through bringing Dance Movement Psychotherapy into conversation with Transactional Analysis.

TA gives us rich ways of thinking about relationships, ego states, life scripts, injunctions, drivers, strokes and our ways of being with ourselves and others.

But I have sometimes felt that we can understand these concepts intellectually while remaining one step removed from the lived experience of them.

I think of it as looking at the body from a balcony.

We can see it. We can describe it. We can talk about it.

But we are still on the balcony.

Movement can invite us to come down.

What does Please Others feel like in the body?

How does an I'm OK, You're Not OK position change the way I take up space?

What happens when I notice an impulse and allow myself to follow it rather than immediately stopping it?

These questions bring psychological concepts into lived experience.

And sometimes that changes the quality of our understanding.

red blue and black abstract painting for transactional analysis and dance movement psychotherapy
red blue and black abstract painting for transactional analysis and dance movement psychotherapy

Body-based psychotherapy in Brighton: from thinking about the body to listening through it

This is what interests me about body-based psychotherapy in Brighton and in my online work.

I am not interested in replacing talking psychotherapy with movement.

I am interested in creating a wider conversation between words, movement, sensation, relationship and meaning.

Dance Movement Psychotherapy offers one way of doing this. It allows movement to become part of the therapeutic language without turning therapy into a dance class.

This is also the starting point for my workshop, Embodied Listening: Body, Relationship and Attunement in Psychotherapy, which begins in Brighton in January 2027.

Across eight experiential sessions, I will be exploring with psychotherapists, counsellors and trainees how Transactional Analysis concepts can be encountered through movement and embodied experience — including self-awareness, attunement and somatic countertransference.

The intention is not to teach people how to dance.

It is to become more curious about what happens when we listen with more than words.

Because sometimes words are exactly what we need.

And sometimes, before the words arrive, the body has already started speaking.

Further reading

For anyone wanting to explore these distinctions more deeply, useful starting points include:

  • Payne, H., Warnecke, T., Karkou, V. & Westland, G. (2016), A comparative analysis of body psychotherapy and dance movement psychotherapy from a European perspective.

  • Schaub-Moore, C. & Heller, M. (2016), Comparing and contrasting body psychotherapy and dance movement psychotherapy.

  • García Medrano, S. (2023), Convergencias y especificidades en la Danza Movimiento Terapia, published in the Spanish journal CITARE Revista Española de Danza Movimiento Terapia.

  • The Association for Dance Movement Psychotherapy UK, for information about Dance Movement Psychotherapy, professional training and practice.

  • The Asociación Española de Danza Movimiento Terapia (ADMTE), for the Spanish professional perspective on DMT.

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